What is Gothic Architecture?
Gothic describes the dominant architectural style of medieval buildings in Europe between the mid-12th and the early 16th centuries.
The name Gothic was coined in derision by Italian Renaissance architects because it did not follow the style of the Romans. In using the word Gothic, they referenced the Goths of early medieval Europe, who they blamed for the collapse of the Roman Empire.
However, in its own time, as well as today, this exquisite architectural style is appreciated in its own right.
A timeline of English architecture
12th-16th century — Gothic architecture
Where did Gothic architecture begin?
Gothic architecture first emerged in Paris, France.
Abbot Suger at the Basilica of Saint-Denis wanted to create a church that was an earthly expression of heaven. He assembled masons, stained-glass artists and sculptors to build a new façade and choir.
This work would inspire a series of great Gothic cathedrals and churches, initially in northern France.
The Gothic style would eventually spread throughout Europe. But while England enjoyed many artistic contacts with the continent, it took until the 1170s for the first whole Gothic building to begin construction.
What defines Gothic architecture?
- Large church buildings have sophisticated light structures with large windows.
- Pointed arches are a standard feature.
- Complex decorative designs on arches and piers are also common.
- From the mid-13th century, increasingly complicated window designs were used.
- We mostly think of churches when talking about Gothic architecture, but many other medieval buildings from this period survive, which often had timber frames.
- There was also a shift during this period from castles to fortified houses.
The 3 styles of English Gothic church architecture
1. The Early English Style
Initially inspired by French models, a distinctive Early English Style developed by the late 12th century. This can best be seen at Lincoln Cathedral.
2. The Decorated Style
English architects later developed the Decorated Style by introducing bar tracery, dividing windows into sections using thin stone bars. This was imported from France in the 1240s and can be seen at Westminster Abbey, for example.
3. The Perpendicular Style
From the early 14th century (again with some French inspiration), buildings with a highly decorative form of window tracery extending onto the walls are in the Perpendicular Style. A good example of this can be seen at Gloucester Cathedral.
Where to see Gothic architecture in England
The following examples trace the development of Gothic architecture in England.
Canterbury Cathedral, Kent
In 1170 Thomas Becket, Archbishop of Canterbury was murdered in his cathedral. Three years later, he was canonised as a saint.
In 1174 a fire struck the east end of the Romanesque church, which was too severely damaged for simple repairs. Instead, a new choir was created for the saint’s tomb to cater to the many pilgrims expected to visit.
Canterbury took the radical decision to employ a French architect, William of Sens. His design used some elements of traditional English building, but his main inspiration was the major churches in nearby northern France.
The most distinctive imported feature was the extensive use of coloured marble shafts and decorative elements. In England, this was achieved by using Purbeck Marble, a shell-rich limestone that could be polished.
William of Sens did not see his work completed. In 1178, he fell from the scaffolding and returned to France to be replaced by another architect, William the Englishman. Construction of the cathedral’s east end was completed in 1185.
Lincoln Cathedral, Lincolnshire
Lincoln Cathedral marks the start of England’s own distinctive Gothic style and is the first work in the Early English style. It would influence many buildings in the following decades.
In particular, it explored the full decorative potential of Purbeck Marble.
In 1185 an earthquake supposedly caused a vault in the existing church to collapse (although it’s possible this was a cover story for structural failure).
Either way, building work began to reconstruct the east end in 1192. By the early 13th century, the nave (the longest part of the church) was in progress too.
The design of Lincoln was based on extensive use of decorative columns, with an intense linear decoration extended up to the elaborate vaults.
Westminster Abbey, London
For the reconstruction of Westminster Abbey, France was again turned to for inspiration. But like Canterbury Cathedral, the building also has elements derived from contemporary English sources.
The most crucial French import at Westminster Abbey was bar tracery. This had been introduced at Reims Cathedral (begun in 1210) and consisted of creating windows by infilling the openings with carefully cut stones to form the arches, circles and other forms of a pattern.
The decorative possibilities demonstrated in Westminster’s windows would inspire future generations of English architects.
St Etheldreda’s Church, London
St Etheldreda’s Church in London probably dates from the 1280s. It was possibly created by John Kirkby, Treasurer to the Abbey from 1284-6 and subsequently the Bishop until his death in 1290.
Although small in size, St Etheldreda’s was at the forefront of fashionable architecture, displaying the most sophisticated types of window tracery.
From this point, England embraced the endless decorative possibilities of tracery and would soon renounce strict geometrical forms for more curvilinear forms.
Ely Cathedral, Cambridgeshire
The Octagon Tower at Ely Cathedral is an engineering and architectural tour de force, whether seen from the air or when looking up from inside.
Externally, it towers 48 metres, while internally, it hovers over the cathedral’s crossing.
In 1322 the cathedral’s old Norman tower fell. Rather than rebuilding in the same form, an octagon was created at the heart of the cathedral.
This vast structure could not have been built in stone. Instead, it appears to have been the brainchild of William Hurley, the King’s Master Carpenter, who created it in timber.
The idea of producing an apparently stone structure in wood had previously been pioneered in the chapterhouse at York Minster in 1300.
Wells Cathedral, Somerset
William Joy, the architect at Wells Cathedral from 1329-47, reworked the Early English choir and extended it to the east during the second quarter of the 14th century.
The joint between the early cathedral and the new work can be seen in the solid masonry above the main arcades.
Joy’s approach to enriching the internal elevation was to create niches that look hewn out of the solid stone rather than applying shafts to the surface.
He completed his masterpiece with a net vault. Its surface is adorned with a mesh of lozenges that are more decorative than structural.
Gloucester Cathedral, Gloucestershire
The choir at Gloucester Cathedral is one of the earliest works in the Perpendicular Style. This style is named after the grids of tracery that spread out from the window designs onto the wall surfaces.
The Perpendicular style owed at least part of its origins in France, where one strand of the contemporary Rayonnant style explored similar ideas.
A mesh of tracery spreads over the walls of the old Romanesque choir, and the intense patterning extends to the vault above. The east window may be the largest Gothic window anywhere in Europe and almost fills the entire width of the choir.
The desire to spread Perpendicular panelling to every surface could not be extended to the choir’s vault but is found in the cloisters.
The six bays of the east walk of the cloister, probably finished by 1377 or soon after, have some of the earliest fan vaults ever constructed.
Cirencester church, Gloucestershire
The parish church of Cirencester is one of the wool churches in the Cotswolds. They are named because profits from the lucrative wool business allowed parishes to rebuild their buildings with lavish new structures.
This period of prosperity began in the 15th century. It ended with the Reformation and the simultaneous decline of the wool trade in the 16th century.
At Cirencester, the old church was substantially rebuilt in stages in the 15th and 16th centuries. The nave was constructed between 1516 and 1530.
Like many wool churches, it has a tall main arcade on elaborate piers. The large Perpendicular clerestory windows give the nave an atmospheric interior.
While churches were transformed between the 12th and 16th centuries, equally profound developments in military, domestic, and agricultural buildings were made.
Castles gave way to the construction of fortified houses. In contrast, the surviving handful of houses surviving from the 12th century can be counted in the thousands by the 16th century.
Harmondsworth Barn, Greater London
More agricultural buildings survive later in the period. The great barn at Harmondsworth is among the finest, built in 1426-7 to store the college’s cereal crop. It stands on an estate owned by Winchester College, and by the mid-1420s, one of its barns was deemed to be beyond repair.
Accounts for 1426-7 record the expenses for finishing the new barn, and tree ring dating confirms this. The barn is 58.5 metres long and 11.4 metres wide. Like a contemporary church, it consists of a broad, central nave of twelve bays, flanked by an aisle on each side.
The role of Historic England
Many surviving Gothic buildings in England are protected as listed buildings or scheduled monuments in the case of ruins. You can find out more about them from the National Heritage List for England.
We did not have space to feature all the surviving traces of Gothic architecture in this post. If you’d like to share more of these gems with readers, let us know about them in the comments.