Gargoyle is derived from the French ‘gargouille’, meaning throat.
Usually taking the form of a twisted face or a animal hybrid, these ominous stone icons are referred to in Greek mythology as ‘chimera’ – a creature with the head of a lion, the body of a goat, and the long tail of a snake.
In folklore, gargoyles are thought to ward off harmful spirits, their wide open mouths symbolic of devouring giants. They were also thought to act as a reminder of the hell that awaited anyone who did not attend church.
Gargoyles can also serve the very practical function of draining water from the roofs of churches and cathedrals to protect the stonework from erosion. When solely used for architectural adornment, they are known as ‘grotesques’.
Here are a few examples of gargoyles and grotesques in England:
There are comical gargoyles around. The below is of a mooning man in Germany. Apparently the stone masons aimed the carving at the council building because of the increasing demands on stone masons without an increase in pay.
In the 12th century, church leader, St. Bernard of Clairvaux was famous for speaking out against gargoyles.
“What are these fantastic monsters doing in the cloisters before the eyes of the brothers as they read? What is the meaning of these unclean monkeys, these strange savage lions, and monsters? To what purpose are here placed these creatures, half beast, half man, or these spotted tigers? I see several bodies with one head and several heads with one body. Here is a quadruped with a serpent’s head, there a fish with a quadruped’s head, then again an animal half horse, half goat… Surely if we do not blush for such absurdities, we should at least regret what we have spent on them.”